Building Wireframe Reveal Effect

FOLLOW THESE STEPS

1. First upload the photo of you building to Chatgpt and paste this prompt👇 BUILDING REMOVAL PROMPT: UNIVERSAL BUILDING REMOVAL PROMPT — EMPTY SITE RECONSTRUCTION

TASK: Remove the entire main building from the uploaded reference image and reconstruct the scene naturally, leaving an empty site where the building previously stood.

1. IMAGE REFERENCE LOCK

Use the uploaded image as the sole reference for the original scene.

Identify the main building occupying the central or primary area of the image. Remove that building completely, including every visible architectural component belonging to it.

The goal is to create a photorealistic image of the exact same location, viewed from the exact same camera position, but with the main building absent.

This is a scene-editing and object-removal task, not a new image-generation task.

2. COMPLETE BUILDING REMOVAL

Remove all visible parts of the main building, including:

Exterior walls, columns, beams, and structural supports.

Windows, glass façades, doors, and entrance structures.

Roofs, parapets, rooftop equipment, and rooftop gardens.

Balconies, terraces, railings, and cantilevered sections.

Architectural cladding, decorative elements, and façade projections.

Building shadows that would no longer exist after removal.

Reflections of the removed building in surrounding glass or reflective surfaces, where visible.

Any other architectural component physically attached to the main building.

Do not leave behind partial walls, floating windows, isolated columns, ghost outlines, structural fragments, or traces of the building's original silhouette.

The entire main building must be absent from the final image.

3. NATURAL EMPTY-SITE RECONSTRUCTION

Reconstruct the areas previously occupied or obscured by the building using realistic environmental details that naturally belong to the original location.

Extend the existing ground plane into the newly exposed area. Continue the pavement, sidewalk, road, landscaping, soil, grass, hedges, trees, or surrounding terrain wherever appropriate.

If the building previously occupied a developed urban plot, replace its footprint with a plausible empty landscaped plot, open paved plaza, or level undeveloped site consistent with the surrounding environment.

Choose the most natural replacement based on the original image. Do not introduce a new building in the cleared area.

Ensure that the reconstructed ground has correct perspective, consistent surface textures, realistic depth, and believable contact with the existing road and sidewalks.

Where parts of the background were hidden behind the building, reconstruct plausible background scenery consistent with the visible surroundings.

Do not simply fill the building's silhouette with a flat color, blurry texture, or artificial patch.

4. PRESERVE THE ORIGINAL ENVIRONMENT

Everything unrelated to the main building must remain as close to the original image as possible.

Preserve the original:

Sky, clouds, and atmospheric conditions.

Camera position, height, viewing angle, and perspective.

Image dimensions, aspect ratio, and composition.

Road layout, markings, sidewalks, and pavement.

Foreground plants, hedges, trees, and landscaping.

Neighboring buildings and distant architecture.

Street furniture, light poles, bollards, and planters.

Sun direction, ambient lighting, exposure, and color grading.

Natural shadows and reflections, updating only those affected by the building's removal.

Do not crop, rotate, zoom, reframe, or change the perspective of the image.

Do not redesign the surrounding environment or replace the entire scene with a different location.

5. PHOTOREALISTIC LIGHTING AND INPAINTING

Use realistic architectural photography and seamless environmental reconstruction.

Match the original image's lighting direction, shadow softness, white balance, contrast, atmospheric perspective, and overall color palette.

The newly revealed ground must have consistent lighting and natural surface detail. Shadows from existing trees and surrounding structures should remain physically plausible.

Avoid visible inpainting seams, repeated textures, distorted pavement, unnatural vegetation, floating objects, blurry patches, or inconsistent perspective.

The final result should look like a real photograph taken at the same location on the same day, except the main building has been completely removed.

6. STRICT NEGATIVE INSTRUCTIONS

Do not retain any part of the main building.

Do not replace it with a different building, tower, house, or architectural structure.

Do not remove neighboring buildings unless they are physically part of the main building being removed.

Do not alter the sky, camera angle, road, foreground, surrounding landscape, or image composition unnecessarily.

Do not introduce people, vehicles, construction equipment, cranes, demolition debris, rubble, scaffolding, or construction barriers.

Do not create an active demolition scene. The site should appear naturally empty and clean, as if the building was never present.

Do not create artificial blur, smudges, patches, warped geometry, or obvious generative artifacts.

7. FINAL OUTPUT REQUIREMENT

Return one photorealistic image with the main building completely removed and the exposed site reconstructed naturally.

Maintain the original aspect ratio, camera perspective, environment, lighting, and framing.

Final objective: The uploaded image should remain visually consistent with the original photograph, but with the entire main building replaced by a believable empty site. The result must be suitable for use as the first frame of an FPV architectural construction video, where the building will later be generated in the exact same location.

2. Next Open Google Flow and upload both the images as first and last frame
   

3. Go to settings and select omni flash model and video ratio
   

4. Paste this prompt: # INVISIBLE FPV CAMERA — 360° ARCHITECTURAL BUILDUP ## 10-SECOND CONTINUOUS ONE-TAKE | FULL ORBIT | EXACT FINAL FRAME ### 1. MASTER OBJECTIVE Create a photorealistic, cinematic 10-second architectural construction video using the uploaded images as the opening-environment and final-architecture references. The video begins with an empty landscaped plot. An invisible FPV camera performs one complete 360-degree orbit around the exact location where the building will stand, travelling from the front toward the LEFT side, continuing behind the building, passing around the RIGHT side, and finally returning to the original front-facing viewpoint. As the camera moves, golden energy trails and precise architectural wireframes construct the building progressively along the camera's path. The skeletal structure develops into the exact finished building shown in the final reference image. At the end of the orbit, the building is fully materialized, and the camera settles into the exact composition of the final reference. Duration: Exactly 10 seconds Aspect ratio: Vertical 9:16 Camera: Invisible FPV camera, wide-angle cinematic perspective Shot: One uninterrupted continuous take Orbit: One complete 360-degree circuit around the building Direction: Front → left side → rear → right side → original front viewpoint Opening state: Empty building plot Final state: Exact completed reference architecture Visual effects: Golden energy trails, architectural wireframe generation, cascading materialization --- ### 2. ABSOLUTE RULE: THE DRONE MUST NEVER BE VISIBLE The camera represents the viewpoint of a flying FPV drone, but the drone itself must remain completely invisible throughout the entire video. This is an invisible-camera flight, NOT a video showing a drone. The drone body, propellers, arms, landing gear, lights, controller, pilot, and any part of the physical aircraft must never appear in the frame. No third-person drone shots. No camera following a visible drone. No drone flying across the foreground. No drone silhouette against the sky. No drone entering or leaving the frame. The camera must behave as though a miniature FPV camera is flying independently through space. Use realistic FPV camera movement, including rapid translation, natural inertia, controlled banking, subtle high-frequency micro-vibrations, and smooth rotational motion. These characteristics must be conveyed entirely through the movement of the viewpoint. Do not render a drone-shaped object to communicate the movement. The camera movement itself communicates that the camera is flying. Visibility lock: The drone must be absent from every frame, including the opening, every intermediate construction frame, and the final frame. --- ### 3. REFERENCE IMAGE LOCK @start = The uploaded empty-site reference image. Use this image to establish the opening environment, including the sky, landscaping, road, pavement, vegetation, ground level, sunlight, and surrounding environment. The building footprint must initially be empty. @final = The uploaded completed-building reference image. Use this image as the absolute architectural and final-composition reference. The completed building must reproduce its actual geometry, floor count, silhouette, dimensions, window positions, façade materials, roofline, balconies, glass panels, entrance, and other visible architectural details. Preserve the same environmental characteristics shown in the reference, including the lighting direction, sky, trees, road, pavement, and landscape arrangement wherever applicable. Do not invent a different building or substitute a generic modern structure. The final camera viewpoint must return to the same front-facing street-level composition as @final, matching the building's position, scale, perspective, and framing. The 360-degree orbit must be completed through camera movement around the target, not by rotating the building itself. --- ### 4. CAMERA PATH — DIRECT APPROACH, FULL-THROTTLE PASS, AND RETURNING DRIFT ORBIT The camera must begin by flying directly forward toward the golden formation effect. It must not turn left and right in front of the effect, retreat, or remain near its starting position. The formation is the visual target for the entire maneuver. Required movement: EMPTY LAND → DIRECT FAST APPROACH → PASS CLOSELY ALONGSIDE / THROUGH THE OPEN VISUAL SPACE OF THE FORMATION → CONTINUE TOWARD ITS REAR → SWEEP AROUND THE BACK AND OPPOSITE SIDE → COMPLETE A FULL CIRCULAR DRIFT → RETURN TO THE ORIGINAL CAMERA POSITION AND FINAL FRONT VIEW. At the start, accelerate forward immediately toward the golden formation and future building footprint. Make the forward approach unmistakable: the target grows larger in frame, the ground rushes beneath the camera, and perspective changes show real movement toward it. Do not fly past the target into empty distance. Do not pull backward or make an early return. As the camera reaches the formation, commit to a fast, continuous, full-throttle FPV maneuver. Pass very close to the active golden formation, using the clearest open route around or through its visual energy lines, then continue beyond the front plane toward the rear of the forming building. The camera must not collide with solid architecture or clip through walls. The pass through the luminous effect is allowed; passing through solid building geometry is not. From the rearward approach, carve one large, continuous 360-degree drift around the forming building. Travel around the building's actual footprint, revealing the rear and both side elevations through real camera translation and parallax. Choose the side that creates the clearest, most physically plausible route from the approach into the rear orbit, but once the turn begins, keep the same direction of travel for the full circle. The movement should feel like a fast racing-FPV pilot committing to a powerful curved line around the structure: full throttle, aggressive banking, lateral drift, and strong momentum. Keep the formation/building as the visual anchor throughout the entire ride. The camera's viewing direction should continuously track the formation, with the building staying near the center of attention while its perspective changes naturally as the camera moves. The camera may look slightly ahead into the direction of travel during a hard drift, but it must promptly keep the formation in view. Never aim away from the formation for an extended moment. Do not stare only at the front façade: the target stays tracked while the camera physically passes to the side, rear, opposite side, and back around. The camera's position must travel substantially through space at all times. Do not substitute yawing or panning for translation. No front-only swinging, no repeated left-right corrections, no back-and-forth oscillation, no hovering, and no stationary orbit. The circular path must be large enough to pass around the building's footprint and rear, yet tight enough to preserve strong parallax and the feeling of a close, fast FPV pass. Use aggressive but controlled banking and visible sideways drift through the turn. Allow slight natural overshoot at corners while preserving the same overall circular direction. Keep the movement fast and energetic rather than perfectly smooth or robotic, but ensure the building remains readable and the camera never passes through solid walls, balconies, or other architecture. After completing the full circle, maintain forward momentum along the final curved segment and return to the original camera position and front-facing composition. Do not reverse direction or jump to the start. The return must be achieved by completing the circular trajectory. Decelerate only during the final approach to the end frame. The building remains stationary. The camera performs the entire maneuver around it. Preserve the original golden energy trails, wireframe buildup, construction progression, and materialization exactly as already specified. Do not change the building effect to accommodate the camera. Movement lock: direct forward approach first; then one committed full-throttle drift orbit that passes the rear of the formation; then a complete return to the original position. The camera tracks the formation throughout. No left-right swinging, no retreat, no prolonged fly-away, and no front-only orbit. 5. DETAILED 10-SECOND TIMELINE #### 0.00–1.20 seconds — EMPTY PLOT AND DIRECT HIGH-SPEED APPROACH Start on the empty site with the same framing, lighting, and environment established by @start. Immediately accelerate forward toward the exact center of the future building footprint and the first golden formation effect. The camera must visibly approach the effect, closing the distance rapidly. Pass close to the luminous formation and continue forward toward the rear of the forming building before initiating the committed drifting orbit. Keep the formation tracked in frame. Do not fly away into empty space, retreat, hover, or swing sideways in front of it. As the camera advances, it begins a controlled upward tilt and slight climb, revealing the intended building footprint. Thin golden energy trails ignite across the ground, tracing the actual outline and orientation of the building. Golden lines begin forming the lower structural footprint, columns, and foundation-level geometry. The camera passes around the left-front corner while the first skeletal elements rise directly behind its path. The forward area remains empty or incomplete. Do not reveal a finished building at the beginning. Camera movement: Immediate full-throttle forward acceleration toward the golden formation; pass close to the luminous effect, continue toward the rear of the forming building, then initiate the continuous circular drift orbit. Keep the formation tracked in frame. No retreat, no extended fly-away, no hovering, and no left-right swinging. Visual effect: Golden lines trace the footprint and establish the first architectural outlines. Drone visibility: Absolutely none. #### 1.20–3.00 seconds — LEFT FACADE AND LEFT-REAR CORNER The camera follows a tight arc around the building's left side. The left façade becomes the primary subject. The camera reveals the side elevation through genuine movement, with the near wall moving quickly across the frame and the background shifting naturally behind it. As the camera travels along the façade, the building's structural geometry develops progressively: - Vertical columns extend upward. - Floor slabs and horizontal beams connect. - Window openings form at their correct positions. - Façade divisions and recessed sections follow the reference geometry. - Balcony edges, railings, and exterior projections emerge where applicable. Golden wireframes form immediately behind the camera's path. They must remain anchored to the actual building geometry. The camera continues around the left-rear corner without stopping. The rearward view begins to open naturally as the camera passes the corner. Camera movement: Fast, continuous translation along the same circular path beside the left façade; one controlled cornering bank, then a steady side pass. Maintain the same direction and avoid repeated yaw swings or unnecessary climbing. Construction state: The left façade is more developed than the rear and right sides. Important: Do not make the camera fly through the building. Keep it outside the future exterior walls. #### 3.00–4.70 seconds — REAR FACADE AND BACKSIDE ORBIT The camera now travels across the rear of the building. This must be a real change in viewpoint. The building's rear side should occupy the frame, with the camera moving laterally across the rear elevation and revealing the opposite side of the environment. The rear façade must remain consistent with the overall architecture. Do not mirror the front façade or automatically duplicate the front entrance and windows on the back. Construct the rear structural elements using the same golden wireframe process. Major supports, floor plates, wall outlines, window openings, and roof geometry appear progressively. The camera continues toward the right-rear corner. At this stage, the building may be a combination of incomplete structural geometry and luminous wireframe, but it must remain dimensionally consistent. The ground plane, road, vegetation, sky, and surrounding structures must remain spatially stable as the camera passes behind the building. Camera movement: Sustain fast circular translation across the actual rear elevation, with clear parallax and stable altitude. Continue in the same direction without pausing, reversing, or cutting across the building. Construction state: The rear structure develops as the camera sweeps across it. The previously traced geometry remains anchored in place. Critical requirement: The camera must reach the actual rear side before proceeding to the right side. #### 4.70–6.40 seconds — RIGHT FACADE AND RIGHT-FRONT CORNER The camera rounds the right-rear corner and follows the right façade. The view transitions naturally from the rear elevation to the right-side elevation. The right façade is constructed progressively as the camera travels alongside it. Generate the correct structural elements, wall surfaces in wireframe, window grids, glass openings, balcony boundaries, façade recesses, and roofline details. Golden light trails follow the camera's path, tracing the geometry of each section. The trails must not jump across the building or appear randomly on already completed areas. The camera moves past the right-front corner and begins turning toward the original front viewpoint. The final reference-facing façade starts to become visible again. By the end of this phase, the camera has travelled approximately three-quarters of the orbit. Camera movement: Continue the same fast circular trajectory along the right façade, maintaining forward orbital momentum; bank through the corner and smoothly level along the side. No back-and-forth movement. Construction state: The right façade is traced, and the camera returns toward the front. Important: The camera must not teleport from the rear to the front. The right façade and right-front corner must be visibly traversed. #### 6.40–7.70 seconds — COMPLETE ORBIT AND FINAL FRONT APPROACH The camera completes the last portion of the 360-degree circuit and returns to its original position and front-facing view, having kept the formation tracked throughout the maneuver. The same architectural face seen at the beginning is now visible again, but the structure has developed into a nearly complete golden wireframe. The rooftop geometry, uppermost floor, parapets, balcony railings, glass panels, and distinctive façade elements resolve along the camera's final approach. The camera's position must converge toward the original reference viewpoint rather than continuing into another orbit. The drone-camera motion begins to decelerate naturally. The golden wireframe is now complete or nearly complete across all visible sides. Camera movement: Complete the final orbital segment through physical camera movement, returning to the original position and front-facing viewpoint while keeping the formation in frame. Decelerate only on this final approach. Do not jump or rotate instantly to the final view. Important: The camera completes one full circle around the building. The building does not rotate to simulate the orbit. #### 7.70–8.80 seconds — FULL BUILDING MATERIALIZATION Once the camera has returned to the front-facing side, initiate a cascading materialization effect. A warm golden energy wave moves through the completed architectural wireframe. The wireframe transforms into the final physical building, preserving the exact architectural geometry from @final. Materialization proceeds across the structure in a controlled sequence: 1. Structural columns and floor slabs become solid. 2. Main wall volumes and façade panels acquire their real materials. 3. Windows become realistic glass with accurate frames and reflections. 4. Balconies, railings, roof edges, and architectural projections resolve. 5. The remaining rooftop and façade details become fully physical. The transformation must feel like the existing wireframe acquiring its real materials, not like a different building morphing into view. Use realistic stone, concrete, metal, wood, and glass only as dictated by @final. Golden light is absorbed into the architecture and fades as the physical surfaces appear. No giant explosion, opaque flash, smoke cloud, or bright effect may obscure the final building. The camera continues its smooth deceleration and framing adjustment throughout the materialization. By 8.80 seconds, the complete building must be physically solid, stable, and photorealistic. #### 8.80–10.00 seconds — FINAL CAMERA LOCK The camera gently settles into the exact final composition of @final. Match the final reference's camera height, distance, viewing direction, perspective, building scale, building placement, horizon, foreground, road, vegetation, sky, and sunlight. Any remaining camera movement must be extremely subtle. The final shot should appear almost stationary. The completed building must remain stable. No windows should shift, no façade panels should change, and no architectural elements should appear or disappear. All wireframes and construction trails fade away. Retain no more than a faint residual golden glow, and only if it does not change the reference appearance. The final frame must reproduce @final as closely as the video model allows. At exactly 10.00 seconds, the final frame must match the supplied completed-building reference. No fade-out. No final zoom. No sudden camera correction. No drone visible. No extra transition. --- ### 6. CAMERA PHYSICS AND MOTION CONTINUITY The camera must behave like an expert FPV pilot flying a high-speed, full-throttle approach and drifting orbit around the active formation. Prioritize forward travel, continuous spatial movement, aggressive cornering, and keeping the formation in view throughout the entire maneuver. Begin with decisive forward acceleration from the empty plot directly toward the golden formation. Close the distance visibly, pass close to the luminous formation, and continue toward the rear before carving around the building. Maintain momentum through the turn instead of slowing down to swing the camera back and forth. Use realistic FPV flight physics: - Immediate forward acceleration toward the target, with visible ground-relative speed. - A fast, committed pass close to the formation, then a continuous curved route toward the rear. - Full-throttle-feeling translation during the orbit, with aggressive but plausible banking. - Strong lateral drift through the turn while the camera continues progressing along the circular path. - Natural inertia and slight overshoot during the drift, without losing the formation or breaking the orbit. - Continuous yaw that keeps the formation/building tracked in frame as the viewpoint travels around it. - Strong near-to-far parallax so the viewer can clearly perceive the camera moving past the front, side, rear, and opposite side. - Subtle high-frequency flight vibration and realistic motion blur during the fastest passes. - Dynamic pitch and roll caused by acceleration and banking, not random camera shaking. - Enough image clarity to recognize the building and construction effect throughout the maneuver. Subject tracking lock: The formation is the visual anchor for the entire shot. Keep it in frame and generally near the center of attention while the camera changes position around it. Do not let the camera look away into empty space, lose the formation during the turn, or keep framing only the front façade. The view must reveal different sides because the camera travels around the building, while the camera's orientation continues tracking the formation. No left-right swinging: Never oscillate the camera's viewing direction from side to side while staying in place. Never retreat away from the formation after the approach. Never make a short arc in front and return early. The camera must move forward, pass the formation, travel behind it, complete a full circular drift, and return to the starting position through continuous physical movement. Keep the camera outside solid building geometry and maintain believable clearance around walls, balconies, and roof projections. It may pass through the golden energy / wireframe effect where there is open space, but must not clip through solid architectural surfaces. Do not use digital zoom, background rotation, or building rotation to fake movement. The final return to the original front-facing composition must be the natural end of the circular route. Only then should the camera decelerate and settle into the exact final reference frame. Do not hover or stabilize at the beginning or middle of the shot. 7. GOLDEN ENERGY AND CONSTRUCTION LOGIC The golden energy effect must serve the construction sequence, not overwhelm it. At the beginning, energy traces the ground-level footprint. During the orbit, it follows the camera's path along the left, rear, right, and front portions of the structure. The lines form coherent architectural elements: structural columns, beams, floor plates, window openings, façade divisions, roof outlines, and other details present in the reference. Once a structural section is drawn, its geometry remains anchored in place. Do not make completed sections disappear when the camera moves away. Do not make the wireframe jump ahead of the camera. Do not create a new building on a different location or change the footprint during the orbit. At materialization, the existing wireframe transforms into physical architecture while preserving its shape and position. The effect should look like sophisticated architectural visualization with precise motion tracking, not random magical particle generation. --- ### 8. STRICT NEGATIVE PROMPT Visible drone, drone body, propellers, drone arms, landing gear, drone shadow, drone reflection, third-person drone footage, drone following shot, drone in the sky, drone crossing the frame, pilot, controller, camera rig. Partial orbit, 180-degree orbit, semicircle, front-only camera movement, front-facing left-right swinging, stationary yaw oscillation, camera staying in one position, hovering at the start, flying away into empty distance, retreating from the formation after approach, losing the formation from view, keeping only the front façade in frame, returning before completing the orbit, orbiting empty space in front of the formation, slow timid orbit, orbit that skips the rear, orbit that skips either side, reverse orbit halfway through, zigzag flight, camera teleportation, sudden viewpoint changes, building rotation, artificial zoom replacing camera translation, camera passing through solid walls, discontinuous camera trajectory. Finished building visible at the first frame, building appearing instantly, wireframe appearing randomly, construction unrelated to camera movement, floating structural elements, disappearing completed geometry, duplicate building, changing building dimensions, extra floors, missing floors, warped architecture, inconsistent windows, invented façade details, distorted rooftop, melting walls, rubber-like materials. Golden flashes that obscure the structure, excessive bloom, excessive lens flare, thick smoke, explosions, unrelated lightning, permanent golden wireframe on the finished building, random visual effects. Changing landscape, moving road, flickering trees, shifting sky, changing sunlight, unstable shadows, environment morphing, random people, unexpected vehicles, text overlays, logos, HUD graphics, watermarks, end cards, fade to black, final camera shake. --- ### 9. FINAL EXECUTION PRIORITIES Follow these priorities in order: Priority 1 — Invisible camera: The drone must never appear on screen. Priority 2 — Genuine, fast 360-degree orbit: The camera must physically travel from the front around the left side, across the rear, around the right side, and back to the original front viewpoint. The camera's horizontal position must continuously advance around one circular path. Priority 3 — No left-right swinging: Do not oscillate, reverse direction, pan in place, or repeatedly swing toward and away from the front façade. Reveal each side through actual camera translation and natural parallax. Priority 4 — Reference-accurate architecture: The finished building must match @final, including geometry, materials, and proportions. Priority 5 — Preserve the existing construction effects: Golden wireframe architecture develops along the camera's path, with completed geometry remaining fixed. Do not alter the existing golden energy, construction sequence, or materialization effect. Priority 6 — Exact final frame: Complete the orbit and settle into the reference composition at the end. Generate a single uninterrupted 10-second video with a fully invisible FPV camera, a fast genuine 360-degree architectural orbit, progressive camera-driven construction, realistic materialization, and an exact reference-matched ending.
   

5. Click Send and your video will be ready! Enjoy!